Our subscriptions

Individual for your own channels: websites, social media, podcasts and monetized YouTube. Business adds client work, brands, promos and paid online ads, for freelancers, agencies and businesses. Enterprise is for larger organizations, platforms that need the API, and TV, broadcast, trailers, cinema, apps and games — write to info@ainsof.io.

You can cancel at any time from your account. Your plan stays active until the end of the period you paid for. Every video you published while subscribed stays licensed, for good. New videos published after that need an active subscription.

Yes. With a free account you can listen to everything, use every search and tool, and preview music synced to your video. Downloads come with a plan.

Payment and invoices by Paddle, which also handles refunds under its buyer terms. If you think you were charged in error, write to info@ainsof.io.

While your plan is active you can download as many tracks and sound effects as you need, with every available version and stem. Scraping or bulk-copying the catalog is not allowed.

Yes, on Business. Your client may use the production you made for them, as you delivered it, within the uses Business permits. The client does not get a license to the music itself.

No. Individual and Business plans are for one named person, and may not be shared with colleagues at the same company. Team accounts are available on Enterprise.

The catalog is registered in YouTube Content ID, so a licensed video may still receive a claim. That is expected. Email info@ainsof.io with the video URL and the email of your AINSOF account, and we will release the claim promptly.

Releasing the music on its own (on streaming services, as a song, or as a music-only video), sharing or reselling the files, using any track or stem to train an AI model, and registering the music in Content ID or with a collecting society as your own.

Where a production is broadcast or publicly performed, please file a cue sheet. Plans include the cue sheet details for that purpose. Performance royalties stay with the composers and publishers.